Allen made an up-line cut, but couldn’t toe the line in bounds for a score. Down 4-3, Justin Allen got a layout D on an under cut, giving Ring of Fire their first chance at a break. In the midst of the George Stubbs show, a turning point for Ring happened. Defensively, he did about a good a job as anyone can do on Ken Porter, limiting his touches for the Ring of Fire offense. Stubbs assisted on all four of Ironside’s first half breaks. Those opportunities were consistently seized by George Stubbs. A few drops from Christian Johnson and bad throws from Jon Nethercutt set up Ironside break opportunities. They were so confident that they could ride it all the way home that they let the momentum push them emotionally and physically.Īnd for the first half it worked. Throughout the first half Ironside looked completely satisfied with making this game all about emotional swings, which is classic Ring. But suddenly you realized that Ironside was playing Ring’s game. Their sideline bull rushed the 20 year old. Stubbs unleashed a big flick huck to his brother John, who dove for the catch and one of the biggest plays of the game. His presence after the turn was crucial for their first break. But after an Ironside hold (2-1), a poor throw from Jon Nethercutt gave the Ironside defensive line a break chance.įor most of this year, George Stubbs has been going to work for Ironside on the defense. Ring’s offense initially looked like they could be just as efficient, scoring on a huck from Micah Hood in their first possession. They would quickly discover that they had more opportunities with the man defense, but not before Ironside struck and gained the 1-0 lead. Ring of Fire would set up a 3-2-2 zone “junk” look, with a transition to man around half field. Saul threw a rolling pull that pinned Ironside on the sideline pushing against the wind. When Noah Saul let his first pull rip, you saw Ring of Fire coach Mike Denardis’ strategy go to work. In what to this point has to be considered the wildest game of the tournament, Boston Ironside edged Ring of Fire in a double game point battle that lasted two and half hours. Octoby Preston Thompson in News, Recap with 16 comments Photo by Christina Schmidt. Ironside blew an 11-6 lead, but managed a thrilling double game point win over Ring.
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What animation techniques did you use to create the visual look of the film? Simple rigs gave the animators the chance to complement what the rigs could provide, with a healthy side of extra drawing substitutions to ease the rigid feel that full cut-out animation can sometimes have. It’s something I experienced before on shows like Rick and Morty where I was surprised by how simple the rigs could be. Hubert: We decided to keep the rigging complexity to a minimum to enable animators to focus on redrawing when required instead of being caught up in technicalities. How did your team approach rigging and animating characters for the short? Studio Niloc uses ambitious rigged characters in D’où viennent les lapins. We also looked for candidates who were comfortable with a DIY approach, since the whole production was done remotely. We mainly focused our recruiting effort on finding people that had a good knowledge of that animation technique. Due to budget constraints, and the amount of complex animation that needed to be produced, a predominantly cut-out pipeline seemed to be the obvious way to go. I was excited to start work on a more organic, artistic pipeline that would foster creativity and encourage personal input from everyone on the team.Ĭolin had a very clear vision of what he was looking for while remaining very open to any technical or artistic tweaks that could benefit the project, both in quality and efficiency. Hubert: I was just finishing up a directing gig on a very commercial project at the time. What was the process for getting the film made? How did you go about putting together the animation team? I knew right away that I wanted to contribute my voice to what I thought looked like a very promising short film. This assembly happened during the pandemic lockdown in Quebec, so the presentations were all virtual.ĭespite seeing everything virtually, the quality of artistry that went into both the animatic and the early designs was obvious to me. Colin was looking to assemble what would become the core team on the project. Hubert: I was introduced to the film’s director, Colin, through a mutual friend of ours. How did you get involved with the making of D’où viennent les lapins? A behind-the-scenes look at character animation from D’où viennent les lapins in Harmony Premium. We should always stay young at heart, even as adults, and grow with the memories of the people that bring us joy. My intention as a director was to put forward the importance of imagination in our daily lives. We wanted to create a beautiful and nostalgic short film for all ages. We follow the story of Jaco, a widowed father who defies the authorities while trying to instill a sense of wonder into his daughter’s life. What is D’où viennent les lapins about, and what should viewers take away from the film?Ĭolin: The film is set in a world where imagination is outlawed. That’s when Studio Niloc started developing the project in 2019. With that in mind, I started writing the story, tackling a father-daughter relationship in a world where imagination was forbidden. Through that experience, I felt a new range of emotions and imperishable memories that blossomed. But the primary inspiration for the film was my experience as a father. I thought it was a beautiful realm to explore. What inspired the story for D’où viennent les lapins?Ĭolin: I’ve always been inspired by the world of magic, in film history as well as in history in general. Teaser trailer for D’où viennent les lapins by Studio Niloc. So I thought, what if I add the registry entry in manually, and I set it to a folder I had full control of. This drive mapping was persistent across logoff/logon, but kept coming back. Answer 'Yes' and the Shared folder will open. Click the Finish button to get a warning. Make sure the 'reconnect at login' box is un-ticked. By this means, you will assign the drive letter to a real folder. Typically a user’s persistent mapped drives are stored in HKU\Network\ key within the registry. Select the one you want to delete, then browse for your Shared folder and select it. ini file, in a folder I didn’t even have access to at all. Running ProcMon while attempting to remove the drive I noticed an ACCESS DENIED on an. The mapped drive was operational, connected to a network share, but I no longer needed it
Join forces with a friend in an online co-op mode.ĭiscover an oft-untold side of World War II throughout War Mongrels’ harrowing campaign.Plan your attacks by pausing the action and issuing orders to each squad member, allowing for tactical assaults when the enemy least expects them.Catch soldiers unaware, ambushing them from the shadows with strategic flanks and an array of character skills or rush in guns blazing, utilizing twin-stick shooter controls as bullets fly across the battlefield.Use the interactive environment to your advantage, utilizing distraction tactics by whistling, playing music boxes, or throwing objects before progressing through enemy lines, guard barracks, prison blocks, as well as concentration camps and mass graves that stand as a testament to the horrific cost of war.Each character has their own personality, background, and skills to use along the journey.
One of the major flaws in relying on BMI solely to define obesity is there’s no way to distinguish between muscle and fat. Why BMI Is Flawed and a History of the Obesity Measurement ( 7) Keep in mind that BMI isn’t very accurate when a child is going through puberty and gaining weight more quickly than usual, according to KidsHealth. Children who fall at or above the 95th percentile are obese, according to the CDC. A child is considered to be overweight if she falls at or above the 85th percentile and below the 95th percentile. ( 6) Kids’ BMIs are compared with those of their peers and presented as percentiles. Men and women use the same formula to calculate BMI numbers, though the BMI in children requires a slightly different formula that factors in their gender and age, according to KidsHealth. ( 5)Įxample For a person who is 1.7 meters tall and weighs 68 kg: 68 / (1.7 x 1.7) = 23.5 BMI. Or, for those who use the metric system, it's your weight in kilograms divided by your height in meters squared, according to the CDC. Use this calculation to figure out whether you’re at a normal weight.įormula Weight (lb) / height (in) 2 x 703Įxample For a person who is 5 feet 4 inches tall and weighs 140 pounds: 140 / (64圆4) x 703 = 24 BMI. “As with everything in healthcare, one needs to treat the patient and not just a number,” says Abraham Krikhely, MD, a bariatric and general surgeon and an assistant professor of surgery at Columbia University Medical Center in New York City. BMI doesn’t properly account for your levels of body fat or your overall health, and should be used as one piece of a series of factors your doctor uses to assess your health, according to the CDC. Experts today say we should think of BMI as a screening tool that can be used to determine if you’re overweight or obese, but not as an actual diagnosis. ( 1) It’s also proven to be a generally reliable and easy way to estimate a person's risk of obesity. BMI has been used to measure obesity in the United States since 1985, and the current standards were set by the National Institutes of Health in 1998, according to a May 2016 study published in the Journal of Obesity. Specifically, BMI is one way that healthcare professionals estimate whether you’re at a normal weight or whether you could benefit from losing a few or many pounds, according to the Centers for Disease Control and Prevention (CDC). BMI, which stands for body mass index, is defined as the weight (in pounds) divided by the square of the height (in inches), all multiplied by 703. “I bury maps and cover them with pigments using the same tools for exhumation–brushes and spoons. The process of making the artwork “to become” is not easily achieved–the result is a cause and effect, of scraping layers to reveal surprises, resembling a chaos, she says, similar to her life in Argentina. Pressing pure powdered pigments into wet paper with a printing press, as the base of her frescoes on paper, Bernardi ensures the pigments remain in their purest intensity on the paper while knowing there’s little she can plan as they settle. Establishing the National Commission on the Disappearance of Persons, he tried and sentenced the heads of the former junta regime and Bernardi’s 21-year-old sister, Patricia, was part of the EAAF Team that worked on exhuming mass graves.Ĭlaudia Bernardi creating frescoes on paper. In 1983, Argentina’s “father of modern democracy” lawyer turned statesman, Raúl Ricardo Alfonsín Foulkes, was democratically elected–ending the military junta. “I cried because they took away all our books in Argentina.” I lived in a censored world in Argentina,” Bernardi remembers crying the first time she set foot inside Doe Library at UC Berkeley, beholding countless collections of books. “Coming to Berkeley after having lived through the fractured years in Argentina was what I coined a ‘brain transplant’. “with a catastrophic foreign policy in Latin America” was not her first choice. Claudia BernardiĪfter spending time in Europe, Bernardi arrived at U.C. BerkeleyĬontemplando la Ruta - Contemplating the Route - By Claudia Bernardi. We remain hostages of our own memory, even when what precedes us has taken the shape of a continent of sorrow.”īernardi exhumes Argentina as “a country wounded by state terror” with a military dictatorship that “produced the death of the country.” The country which committed “a suicide risking its future” forever tinted by the “unavoidable repercussion of moral, legal, economic, political and spiritual corruption.” A Brain Transplant At U.C. There are “no amendments, no healing to genocide,” she writes, “assumptions of the past” can’t be changed “so easily or so willingly. of California Press, 2011), Bernardi writes about returning to Argentina and running into an old classmate at a bus stop who assumed she had “disappeared.” She puts history before the present to celebrate survival. In her chapter The Tenacity of Memory / La Tenacidad de la Memoria, in the essay collection, Transforming Terror/ Remembering the Soul of The World, edited by Susan Griffin (U. The Stains of Life Leave Marks In the Continent of the Soul - 1999. While we continued to study and work, the sense of fragility that military junta brought upon us was enhanced and modified by the economic dis-quietness,” Bernardi says the “simultaneously alarming” human flexibility that acclimates and adapts amazes her–much like adapting to a new life amidst a pandemic. “When we heard about “ los desaparecidos” (the disappeared) it was a new word–we didn’t know what it meant. Students had to carry three forms of ID, one of which “the certification of good behavior” was issued at the neighborhood police stations–where many of the “disappeared” were taken. It is always an open wound that never, never closes.” She recalls how Argentina’s universities’ open, agile space for political expressions dramatically changed with junta appointed deans. The history she shares in her art is “unmasking the worst that happened in Argentina. government support, the regime systematically persecuted over 30,000 “disappeared” committing “ dirty war” atrocities.īernardi recalls departing Argentina in 1979, as a 23-year-old, while her sister remained behind. Fending for themselves, they graduated from the university with degrees in Fine Arts and Anthropology respectively, while living through the 1976 overthrow of Isabel Peron’s government that unleashed a seven-year brutal military junta regime. Being left alone, instilled independence and strength, transforming her and Patricia into the resilient women they are today. Born in Buenos Aires, Argentina and orphaned as a teenager, Bernardi and her sister Patricia lived with their grandmother before she left them. Claudia Bernardiĭuring my virtual interview with Bernardi, I accompanied her on an emotional journey back to 1976 Argentina, reliving the junta’s chokehold on the innocent population. Claudia Bernardi (foreground), her grandmother and sister, Patricia. If too many people are editing the same part of the same page at any one time, this can sometimes create temporary page conflicts. When using a shared notebook at the same time as other authors, you can achieve a better collaboration experience by having users make notebook additions on separate pages or in their own sections. Learn more about resolving misplaced sections in OneNote. To resolve this, open OneNote on the original computer or device where the “missing” notes were first added or revised, and use the preceding steps to force a sync.įor example, if you created a new section on your laptop but can’t yet see the changes on your desktop computer, go back to your laptop, open OneNote, and then use the preceding steps to force sync the notebook. If your notebook appears to be missing pages or an entire section, this can occur when such content was never fully synced before the notebook was closed where the changes were originally created. Tap and hold on the notebook name in the Notebooks list, and then tap Sync Notebook. A progress marker will appear at the top of the list. Pull down the Notebooks list with your finger to initiate a sync. Right-click the notebook name in the Notebooks list, and then click Sync This Notebook Now.Ĭontrol-click the notebook name in the Notebooks list, and then click Sync This Notebook. Right-click the notebook name in the Notebooks list, click Sync, and then click Sync This Notebook. Here’s how to manually force notebook synchronization in the different versions of OneNote: Many unexpected sync problems can usually be resolved by forcing a sync as soon the network is available again. OneNote will automatically store pending changes to your notebooks whenever you are offline and then sync those changes as soon as a network is available again. If you're using OneNote at work, you can request more storage from your OneDrive for Business or SharePoint administrator. You can then consider splitting up a large notebook section into multiple ones or purchasing more storage. If you do reach your file size limit, OneNote will notify you. You can still reference such content by inserting a link to it instead of directly embedding the content in your notes. Although it can be hard to tell exactly how much content has been added, especially if you've shared your notebook with other people, you and your collaborators can keep some obvious file sizes in mind - for example, by not inserting multiple video files that are several gigabytes in size into the same section, or generally not overloading sections with unnecessary media content. These limits determine how large your notebook sections can get, so you’ll want to make sure that you don’t reach or exceed this limit. On SharePoint and OneDrive for Business, the storage limit is configurable by the administrator, but it will typically have a limit of 15 GB or less. For example, on a personal OneDrive account, the free storage limit is 5 GB. Both OneDrive and SharePoint have file size limits that can impact the maximum size of your OneNote sections. OneNote stores your notebook sections as individual files. However, even when OneNote handles all of the syncing of notes between your computer and your devices, there are a few best practices you can follow to make sure you have the best experience. This means you should never need to manually move files around, like you might be used to with traditional computer files in File Explorer on a Windows PC, or in a Finder window on a Mac. No matter what version of OneNote you use, your notebooks are designed to be saved and synced automatically by the OneNote apps themselves. Enemies follow the same rules, creating a system of overlapping turns that are simultaneous, but not necessarily executing on the same turn. All your actions take a number of turns to prep, execute and recover from, which is affected by your stats, environmental modifier, and ailments of buffs you have at the time. (You can enter this at any point as well, which is helpful for stealth situations). Even if it can be considered turn-based, it is so peculiar that, if I had to choose a word that best represents it, I would say “frenetic”! Can you explain to us how it works and which have been your inspirations in this regard?Ĭombat begins when someone hears or sees you, and you enter turn mode, where the game world will only move while you are moving or doing an action. The story has undergone some small improvements, but overall the project has stayed true to the original vision.ģ rd Turn) Playing the demo, one of the things that impress me more is the combat system. It also let us get more of those immersive-sim elements that can be based on familiarity with reality that abstract tabletop rules. It’s a similar idea to the original concept but without the abstraction of the timeline bar. To give it a more crunchy feel, we changed actions to play out over ‘ticks’ of time, had actions be composed of multiple turns, and prompted those to play out immediately instead of queuing them. The initial project had a sort of Grandia-esque turns bar so we get some time-simulation in, but as we implemented more systems we found that it was too nebulous for the combat we were going for. Our original concept for the project involved integrating these cool sensory mechanics and simulation-aspects into the turn-based model in a fluid, organic way. The main thing that we’ve iterated on over the development cycle is the combat system. Now, the question is how has your project changed since the beginning? I mean, it isn’t only a matter of name change, I guess. We learned a lot about a pipeline that works for us development wise, and certainly improved our knowledge on how to build these projects.Ģ nd Turn) First there was “Copper Dreams”, then Kickstarter’s campaign, and finally Mechajammer. It was hard but exciting to work on, especially with the quick deadline we had for it. I think Baldur’s Gate was the first game we played together when we started dating (that multiplayer was just a joy to set up like 10 years ago), and while we love turn based games, we didn’t know what we could add to that genre at the time, and instead wanted to play around with world building and more of that RTS-style gameplay. Serpent was a fun exploration of making something atmospheric. Yeah we keep it cozy, it’s the two of us doing the design and game production, but we have some wonderful assistance from our composer Kevin Balke, who’s generously helped us for nearly 8 years now, and some voice work now and then from the great Caleb Merrick. So if you plan to try the demo of this little gem, it could be a good idea to watch first our beloved Jena Plissken back in action!ġ st Turn) Your Studio is small, but this is not – for sure – your first game, so what have you learned from your previous works, especially from Serpent in the Staglands? Not by chance, Escape from New York is one of the sources of inspiration specifically declared by the devs. Why I’m talking about this movie, are you wondering? Quite simple, because the setting and, partially, the mood of Mechajammer it’s almost the same. Undoubtedly, Escape from New York is still one of the main reasons why I’m very proud for being a 80s kid. It was 1981, John Carpenter was my new messiah, and I was one of the happiest nerd in the world.īlood, gratuitous violence, memorable lines and, above all, a bad and surly lead character, a “dead on arrival” who had nothing to lose but also nothing to gain. The point was exactly this, the movie provoked a strong contradiction in my emotions but, instead of trying to solve it, I simply decided to live it, in my dreams or in my nightmares. A part of me was convinced that “ living in a future like that would have been great“, but the other part, the sane one, thought that living with a life expectancy of a fly was not so… amazing. The truth was that, after watching that fantastic movie, my opinions about it were, let’s say, a bit confused. The first time I saw Escape From New York, my initial thought was “What the f**k!” and the second one, more elaborated, was “this is so fu****ng cool!” (well, at that time, I was not so polite just I am now…). “When you want to know how things really work, study them when they’re coming apart.” Not all items sold at Canadian Tire earn CT Money. Any bonus multiplier is based on the base rate of collecting CT Money. You cannot collect paper Canadian Tire Money on bonus offers. † In the form of electronic Canadian Tire Money® (CT Money®). Ƒ Additional Information for the Triangle Mastercard: Examples of borrowing costs (rounded to the nearest cent) assuming that all charges are purchases bearing interest at the regular annual rate of 19.99%, a 30 day month, no charges made on special payment plans and no other fees, additional payments or other changes are: The Triangle Mastercard and the Triangle World Elite Mastercard do not have an annual fee. The billing period covered by each statement can be from 28-33 days. For residents of Quebec, the period between the statement date and the due date for payment is 26 days. The minimum payment is the sum of (a) the greater of: (i) interest and fees shown on your statement + $10 or (ii) 5% of the New Balance, excluding amounts on special payment plans, (b) any balance over your credit limit, (c) any amounts past due not included in (b) above, and (d) the amount of any equal payments plan instalments then due. Some applicants may receive a higher or lower regular annual rate depending on a credit evaluation. Offer subject to change without notice.Īdditional information for residents of Quebec only: The regular annual rate for persons applying for the Triangle Mastercard and the Triangle World Elite Mastercard is 22.99% for cash transactions and related fees and 19.99% for all other charges. 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"RYOBI" is a trademark of RYOBI Limited and is used by TTI Consumer Power Tools, Inc.△The tire producer / manufacturer of the tires you are buying, and Canadian Tire is responsible for the recycling fee that is included in your invoice. This protocol is unicast and connection-based. This program is useful for multicasting files over lossy connections such as those found on High frequency (HF) or during emergency communications.įlarq implements the ARQ specification developed by Paul Schmidt, K9PS to transfer emails, text files, images, and binary files over radio. When all parts are correctly received the sent file is re-assembled and can be saved by receiving stations. The program breaks a given file into multiple smaller pieces, checksums each piece, then transmits each piece one or more times. Some of the Suite are however standalone programs used for utility or testing purposes only, with no connection to the Fldigi main modem.įlamp implements the Amateur Multicast Protocol by Dave Freese, W1HKJ and is a tool for connectionless transferring of files to multiple users simultaneously without requiring any existing infrastructure. Interconnection between these programs and the Fldigi modem is made over TCP/IP port 7322. Most of these extensions add more capabilities to Fldigi such as verified file transfer and message passing. The "Fldigi Suite" consists of the Fldigi modem and all extension programs released by the same development group.
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